I thought I would post all the various focal length images I took on this outing. This one is taken at 45mm and in 16:9 format. I like using this format for my wider images, it gives me more of the area that I want to document. Again, the image is sharp and I really can't complain about this lens. It's small and quite light but paired with the G5 you know you have a system in your hands, Some of the smaller cameras (notably the Nex-5N) is really small and I can understand it when people just can't use these system. Put a small Voigtländer prime on the Nex-5N and you won't even notice you're carrying it. The Nex-5N is also really light and I must admit that it is sometimes too light. I like some weight to my systems, I'm able to hold it steadier in my hands.
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06/22/13  Panasonic G5 - Panasonic 45-150 f4-5.6979
DMC-G5 Focal Length: 45 mm Aperture: f/8.0 Exposure Time: 1/320 sec ISO: 160 • Panasonic • G5 • 45-150 f4-5.6
06/21/13  Panasonic G5 - Panasonic 45-150 f4-5.6Taken at a focal length of 70mm. We are slowly coming down to the wider end of the lens. As you can see it's still sharp at this focal length. Contrast is also good.
This image was however processed slightly in Nik Color Effex Pro 4 but you'll just have to take my word for it that the original image look good. 937
DMC-G5 Focal Length: 69 mm Aperture: f/8.0 Exposure Time: 1/320 sec ISO: 160 • Panasonic • G5 • 45-150 f4-5.6
06/20/13  Panasonic G5 - Panasonic 45-150 f4-5.6The image was taken with the lens fully extended to 150mm. I find it to be acceptably sharp at this focal length. I'm really glad that most systems nowadays contain some sort of an image stabilisation system. I'm finding that I can't hold the camera steady at slower shutter speeds anymore. That's a sure sign of getting old (or older). Some people will argue that IBIS is better than ILIS, but personally I don't care which system is incorporated into my systems, the main thing is that it works.
Image again converted with Nik SFX2. 1083
DMC-G5 Focal Length: 150 mm Aperture: f/8.0 Exposure Time: 1/200 sec ISO: 160 • Panasonic • G5 • 45-150 f4-5.6
06/19/13  Panasonic G5 - Panasonic 45-150 f4-5.6You may have noticed that I am partial to architectural of cityscape images. I believe this to be an important part to document the development of our cities. Nothing stands still and that applies especially to our modern cities. Buildings are being torn down at an alarming rate to make way for more modern office space (I don't know who is supposed to rent all this space now available though). It seems to me that they should build less office space and more appartments for people to live in. I can't speak for the rest of the world but here in Germany, living space in cities has become a very rare comodity, driving up the prices so that the normal person is unable to pay the rent.
This image was taken at around a 100mm focal length. I needed to test the lens throughout the entire focal range. Normally all lenses have a weak spot but I'm still trying to find it on the 45-150 f4-5.6 lens. What amazes me most is the price of this lens with online prices in Germany being around €220 at the time this post comes online. That really is astounding because the quality is really good. The lens also incorporated Panasonics OIS (Optical Image Stabalisation) system as the Panasonic cameras don't have in-body stabilisation which really does work.
Again the image was converted in Nik SFX2. 1074
DMC-G5 Focal Length: 103 mm Aperture: f/8.0 Exposure Time: 1/250 sec ISO: 160 • Panasonic • G5 • 45-150 f4-5.6
06/18/13  Panasonic G5 - Panasonic 45-150 f4-5.6Although this post is about the Panasonic 45-150 f4-5.6, it's also about the G5 which is used in combination with the lens. I haven't used this camera a lot I must admit. Reasons being many, especially the new Fujifilm X100S and the X-E1. Both of those cameras are very good indeed but are not speed demons like the latest micro fourth thirds cameras now on the market.
The focusing speed of these new cameras is really impressive, especially the Olympus OM-D. The G5 is not far behind although it's difficult to appraise this because there's only a fraction of a second between cameras in this regard. I just have the impression that the OM-D is faster than the G5. The reason I purchased the 45-150 lens is because I wanted to take a two camera system with me when going out. The other camera is the GF1 (the original Panasonic m4/3 camera) which still takes great images. On the GF1 I mount the Panasonic 14-45 kit lens which is superb in my opinion. Using these two cameras gives me a 14 to 150 focal range without compromising all that range into one lens. Although I do use the Olympus 14-150 lens quite a bit, I believe these two lenses will give me better image quality overall.
For those interested, this image was converted using Nik SFX2. I actually took this image with a monochrome conversion in mind. 892
DMC-G5 Focal Length: 109 mm Aperture: f/8.0 Exposure Time: 1/125 sec ISO: 160 • Panasonic • G5 • 45-150 f4-5.6
06/17/13  Olympus mZD 60 f2.8 MacroThis is the last image from this combination for the present but I'm sure that the lens will be used quite a bit. It's sharp, quite small and thin, and doubles up a mid-telephoto lens (120mm equivalent). I like using that focal length anyway because one of my favourite Canon lenses is the 135 f2 which is a wonderful sharp lens. Gives me the perfect focal length for portrait shots (when I do those). 961
E-M5 Focal Length: 60 mm Aperture: f/5.6 Exposure Time: 1/60 sec ISO: 640 06/16/13  Olympus mZD 60 f2.8 MacroThis isn't a masterpiece I know, I just liked how the red flowers contrasted with the brown soil they use (or whatever it is they use these days). 911
E-M5 Focal Length: 60 mm Aperture: f/2.8 Exposure Time: 1/640 sec ISO: 640 06/15/13  Olympus mZD 60 f2.8 MacroThis is another one of these images where you would have to conclude that the saturation slier has been increased to the max. It wasn't touched at all. This is the colour of this orchid as I saw it and how it was processed in LR 4.4.
It actually makes a difference if I look at this image on my calibrated monitor or on my notebook. On the calibrated monitor the orange is looks saturated but the channels have not blown. On my notebook however, the orange looks really saturated and I would have to conclude that the person processing this should back the saturation slider down somewhat.
So my recommendation to all out there, calibrate your monitor. Only then will you see the difference.
I wish I had an Apple iMac to compare the colours. Maybe that will be something for future thought.
1159
E-M5 Focal Length: 60 mm Aperture: f/5.6 Exposure Time: 1/250 sec ISO: 640 06/14/13  Olympus mZD 60 f2.8 MacroSome of the colours I get from this combination (OM-D + 60 f2.8 macro) seem rather blown but in fact they are not. Saturation seems to have been pushed to the limit, but again the saturation slider wasn't implemented. These have just been put through LR 4.4 without much being done to them at all. As some of you may now know I'm a raw only shooter so the jpg engine in the camera didn't come into play with any of these images.
It is rare that I increase saturation in LR, it really does increase what I don't want saturated. I'll use clarity and the vibrance sliders. Vibrance increases the subtle tones and colours and that is the look that I go for in my images, or try to anyway. 948
E-M5 Focal Length: 60 mm Aperture: f/8.0 Exposure Time: 1/40 sec ISO: 640 06/13/13  Olympus mZD 60 f/2.8 MacroThe colours are simply superb. It's a very sharp lens and I'm glad I got this over the Panasonic 45 f2.8 macro lens. This focal length suits me better than the shorter 45mm. It is of course the equivelent of a 120mm macro on full frame cameras. 1045
E-M5 Focal Length: 60 mm Aperture: f/8.0 Exposure Time: 1/125 sec ISO: 640 | |
