I took this system out together with the Panasonic G5 and the 45-150 f4-5.6 when I tested that system. That's why the images may look familiar to you. I took the same images with both cameras just to get a feel how both performed under the same lightling conditions. The Fujifilm files are much easier to work with and results are very good. I would say they beat the G5 images hands down.
I have always been fighting with my Panasonic raw files with every camera that came out after the DMC-L1. I think that is the only camera that I was exceptionally pleased with from Panasonic. The sharpest files I've ever got seem to be from the Panasonic DMC-L10 because of the very weak AA filter.
I find that whenever I put the Panasonic raw files through LR 4.4 (or any other converter for that matter) they always have a magenta colour cast to them. I don't see it when developing the files but I do when I open the TIFFs in Photoshop afterwards. This causes me a lot more work to correct but I can't seem to fix it in LR. I might just install Silkypix that came with the camera. Maybe I can get some better TIFFs from that.
Anybody else see this colour cast? I'd be very grateful for any insight as to a fix.
