Dil Roberts Photography

Gallery of all Images Posted

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Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Olympus mZD 75-300
Vivitar 28 f2.8
Vivitar 28 f2.8
Olympus E-PL1 and the mZD 14-150
Olympus E-PL1 and the mZD 14-150
Voigtlaender Nokton 50 f1,5 for Nikon
Voigtlaender Ultron 35 f1.7
Voingtlaender Nokton 35 f1.2 II
Pentax SMC 28 f2.8 on E-PL1
Olympus OM 50 f1.8 wide open at f1.8
Olympus OM 50 f1.8
Sigma 28 f2.8 Manual Focus Legacy Lens
Voigtlaender 85 f3.5 adapted for m4/3
Yashica 55 f2 Manual Focus Legacy Lens
Samsung EX1
Olympus mZD 75-300 on E-PL1
Olympus mZD 75-300 on E-PL1
Panasonic GF-1 and the 14-45 Kit Lens
Olympus mZD 14-150
Samsung EX1
Olympus 50 f2 Macro Four Thirds Lens
Olympus 50 F2 Macro Four Thirds Lens
Samsung NX10
Samsung NX10
PL 14-150 on Olympus E-1
PL 14-150 on Olympus E-1
mZD 14-150 on E-PL1
Olympus mZD 14-150 on the E-PL1
mZD 14-150 on the E-PL1
Olympus E-P2 and the mZD 9-18 Lens
Olympus E-P2 and the mZD 9-18 Lens
Olympus E-P2 anf the zMD 9-18 Lens
Samsung NX10 and the 30 f2 Pancake
Samsung NX10 and the 30 f2 Pancake
Samsung NX10 and the 30 f2 Pancake
How good can the E-PL1 be?
Olympus E-PL1 and the 14-42 kit lens revisited
Olympus E-PL1 and the 14-42 kit lens revisited
Olympus E-PL1 and the 14-42 kit lens revisited
Olympus E-PL1 and the 14-42 kit lens revisited
Getting close with the Panasonic 20 f1.7
Getting close with the panasonic 20 f1.7
Getting close with the Panasonic 20 f1.7
Getting close with the Panasonic 20 f1.7
Getting close with the Panasonic 20 f1.7
Getting Close with the Panasonic 20 f1.7
Olympus E-PL1 anf the Panasonic 20 f1.7
Olympus E-PL1 and the Panasonic 20 f1.7
Olympus E-PL1 and the Panasonic 20 f1.7
Olympus E-PL1 and the 14-42 m4/3 Kit Lens
Olympus E-PL1 and the 14-42 m4/3 Kit Lens
Olympus E-PL1 and the Panasonic 20 f1.7 Lens
Olympus E-PL1 and the Panasonic 20 f1.7 Lens
Olympus E-PL1 and the Panasonic 20 f1.7 Lens
Minimalistic Images (PPS)
Minimalistic Images (post script)
Minimalistic Images
Minimalistic Images
Minimalistic Images
Minisalistic Images
Minimalistic Images
Olympus 14-42 Kit lens (m4/3)
Olympus 14-42 Kit Lens
Olympus 14-42 Kit Lens
Panasonic LEICA D VARIO-ELMAR 14-150 F3.5-5.6 ASPH. MEGA O.I.S.
Panasonic LEICA D VARIO-ELMAR 14-150 F3.5-5.6 ASPH. MEGA O.I.S.
Panasonic LEICA D VARIO-ELMAR 14-150 F3.5-5.6 ASPH. MEGA O.I.S.
Panasonic LEICA D VARIO-ELMAR 14-150 F3.5-5.6 ASPH. MEGA O.I.S.
Olympus 50 f2 Macro Lens on Olympus E-620 Four Thirds Camera.
Olympus 50 f2 Macro Four Third Lens
Olympus Four Thirds 35 f2.5 Macro Lens
Panasonic 45-200 F4-5.6 OIS
Panasonic GF-1 with the 14-45 Kit Lens.
Panasonic G1
Panasonic GF-1
Panasonic GF-1
Panasonic GF-1
Panasonic GF-1
Olympus Colours
Olympus Colours
Sepia Toning
Dramatic Cloud Formations V
Dramatic Cloud Formations IV
Dramatic Cloud Formations III
Dramatic Cloud Formations II
Dramatic Cloud Formations I
Sony NEX-5N
Sony Nex-5N
Camera and Lens Recommendation
Pentax SMC FA 31 f1.8 adapted for Olympus EP-3
Pentax SMC FA 31 f1.8 adapted for Olympus EP-3
Panasonic DMC-L1 with the PL 14-150 Four Thirds Lens
Panasonic GF-1
Samsung EX1
Panasonix LX5
Panasonic LX5
Panasonic LX5
Samsung EX1
Samsung EX1
Samsung EX1
Samsung EX1
Voigtlaender Skopar 50 f2.5
Voigtlaender Skopar 50 f2.5
Voigtlaender 85 f3.5 adapted for m4/3
Panasonic GF-1
Pentax SMC FA 43 f1.9
Minolta MD 135 f3.5
Minolta MD 135 f3.5
Sony Nex-5n and the 18-55 Kit Lens
Sunset
Architecture
Monochrome Images
Monochrome Images
Monochrome Images
Monochrome Images
Voigtlaender 85 f3.5 adapted for m4/3
Voigtlaender Skopar 50 f2.5
Pantax SMC FA 31 f1.8
Pentax SMC FA 31 f1.8
Pentax SMC FA 31 f1.8
Voigtlaender Color Skopar 35 f2.5
Voigtlaender Color Skopar 35 f2.5
Voigtlaender Color Skopar 35 f2.5
Voigtlaender Color Skopar 35 f2.5
Voigtlaender Color Skoper 35 f2.5
Voigtlaender Color Skopar 35 f2.5
Voigtlaender Color Skopar 35 f2.5
Pentax FA 43 f1.9 on Nex-5N
Pentax FA 43 f1.9 on Nex-5N
Pentax FA 43 f1.9 on Sony Nex-5N
Pentax FA 43 f1.9 on Sony Nex-5N
Pentax FA 43 f1.9 on Sony Nex-5N
Pentax FA 43 f1.9 on Sony Nex-5N
Voigtlaender Heliar 75 f2.5
Sony Nex-5N
Sony Nex-5N
Sony Nex-5N
Sony Nex-5N
Sony Nex-5N
Sony Nex-5N
Sony Nex-5N
Reflections V
Reflections IV
Reflections III
Reflections II
Reflections I
Voigtlaender Heliar 75 f2.5
Voigtlaender 75 f2.5
Voigtlaender Heliar 75 f2.5
Panasonic LX5 VI
Panasonic LX5 V
Panasonic LX5 IV
Panasonic LX5 III
Panasonic LX5 II
Panasonic LX5
Voigtlaender Heliar 75 f2.5
Voigtlaender Heliar 75 f2.5
Voigtlaender Heliar 75 f2.5
Voigtlaender Heliar 75 f2.5
Voigtlaender Heliar 75 f2.5
Voigtlaender Heliar 75 f2.5
Voigtlaender Heliar 75 f2.5
Voigtlaender Heliar 75 f2.5
Frankfurt West Harbour
Voigtlaender Heliar 75 f2.5 IV
Voigtlaender Heliar 75 f2.5 III
Voigtlaender 75 f2.5 II
Voigtlaender Heliar 75 f2.5
Olympus mZD 75-300 II
Olympus mZD 75-300
Lone Tree
Super Bike
Light is what's it all about.
Voigtlaender Nokton 40 f1.4
Konica Hexanon AR 50 f1.7 III
Konica Hexanon AR 50 f1.7 II
Konica Hexanon AR 50 f1.7
Lightroom 3.5
Voigtlaender Nokton 40 f1.4 Revisited
Vari ND Filter IV
Vari ND Filters III
Vari ND Filters II
Vari ND Filters
Highlighted Tree
Back Again
Great Light IV
Great Light III
Great Light II
Great Light
Panasonic Lumix L1 V
Panasonic Lumix L1 IV
Panasonic Lumix L1 III
Panasonic Lumix L1 II
Panasonic Lumix L1
Vivitar 28 f2.8 OM Version Adapted to m4/3
Another conversion with SFX2
B&W Conversion with Silver Efex Pro 2
Converting to B&W
Olympus OM 135 f3.5 II
Olympus OM 135 f3.5 I
Olympus mZD 75-300 Shoots the Moon
Voigtlaender Nokton 40 f1.4 VII
Voigtlaender Nokton 40 f1.4 VI
Voigtlaender Nokton 40 f1.4 V
Voigtlaender Nokton 40 f1.4 IV
Voigtlaender Nokton 40 f1.4 III
Voigtlaender Nokton 40 f1.4 II
Back to clouds again II
Back to clouds again.
Voigtlaender Nokton 40 f1.4
Olympus OM 50 f1.8 Auto-S V
Olympus 50 f1.8 Auto-S IV
Tokina FD 24 f2.8 VI
Tokina FD 24 f2.8 V
Tokina 24 f2.8 FD IV
Olympus 50 f1.8 Auto-S III
Olympus OM 50 f1.8 Auto-S II
Olympus OM 50 f1.8 Auto-S
Tokina 24 f2.8 FD Mount III
Tokina 24 f2.8 FD Mount II
Tokina 24 f2,8 in FD Mount Adapted for m4/3
Minolta MD 35 f2.8
Pentax-M SMC 135 f3.5
Voigtlaender Nokton 50 f1.5
Voigtlaender Nokton 50 f1.5
Voigtlaender 50 f1.5 II
Voigtlaender 50 f1.5
Yashica 55 f2 Manual Focus Lens II
Yashica 55 f2 Manual Focus Lens
Summer II
Summer
Voigtlaender 85 f3.5 on m4/3
Voigtlaender 85 f3.5 Adapted for mFT II
Voigtlaender 85 f3.5 Adapted for mFT
Learning Manual Focusing with the Olympus mFT 75-300 II
Learning Manual Focusing with the Olympus mFT 75-300
Olympus mFT 75-300 f4.8-6.7 ED lens
Something Different IV
Something Different III
Something Different II
Something different
Poppy Time
Heavy Cloud Cover
Polaroid III
Polaroid II
Polaroid
Cloud Formations IV
Cloud Formations III
Cloud Formations II
Cloud Formations
Samsung EX1
LX5 Square fiormat II.
LX5 Square format.
Panasonic LX5
Panasonic LX5
Panasonic LX5
The Little Point and Shoot (P&S) Cameras.
After High Pass Sharpening
Example of High Pass Sharening
Flowers
Olympus 50 f2 Macro Lens
Panasonic 14-140 f4-5.8 MEGA OIS
Panasonic 45-200 Gallery
Samsung 55-200 f4-5.6 OIS
PanaLeica Lenses
Lines
Texture VI
Texture V
Texture IV
Surprise,Surprise!!
Texture III
Texture II
Texture
Cross Processing
Lone Cloud
Sierra Nevada, Spain
Cloud Cover II
Cloud Cover
Lone Tree
Clouds
Spring at Last
Inflight images
Panasonic / Leica 25 f1.4
Square Format
Another square image
Square Format
Still with the Panasonic 14-45
Another from the Panasonic 14-45
Still testing the Panasonic kit lens 14-45 f3.5-5.6
Spring on the march.
Spring is on the march..!!!
Old Trees
Local Frankfurt Zoo
Local Frankfurt Zoo
Exif Test
Welsh scene.
Welsh scenes.
Slate texture
Swallow Falls, Betws-Y-Coed, North Wales
Slate
Very old copse.
Welsh weather in May.
Tokina ATX 12-24f4 Pro DX for Canon.
Tokina ATX 12-24f4 Pro DX
Tokina ATX 12-24f4 Pro DX
Leica Digilux 2
Sony A900
Sony A900
Sony A900
Pentax *istD and Sigma 18-50 f3.5 - f5.6 DC lens.
Pentax *istD and Sigma 18-50 f3.5 - f5.6 DC lens.
Panasonic 14mm f2.5 on a GF-1
Panasonic 14mm f2.5 on a GF-1
Panasonic 14mm f2.5 on a GF-1
Another from the Panasonic Lumix DMC-L1
Panasonic Lumix DMC-L1
Panasonic Lumix DMC-L1
Panasonic Lumix DMC-L1
Sensor Size Image 2
Sensor Size Image 1
Panasonic 100 - 300 f4.0 - f5.6 at 300mm
Another Panasonic 100-300 image
Panasonic 100-300 f4.0 - f5.6



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